Die Ramones schufen Mitte der 1970er eher ungewollt eine neue Musikrichtung, da sie eine Abneigung gegen die damals produzierte … [15][64] Seymour Stein complained about its original lyrics — "I'm a Nazi, baby, I'm a Nazi, yes I am. Ramones ist der Titel des Debütalbums der gleichnamigen US-Punk-Band Ramones. Fields agreed because the band "had everything [he] ever liked,"[6] and became the manager in November 1975. "[87] Also in 1995, the Spin Alternative Record Guide named it the No. Billie Joe Armstrong, singer for Green Day, explained his reasoning for listening to the band: "they had songs that just stuck in your head, just like a hammer they banged right into your brain. ‘I Don’t Want To Grow Up’ Taken from the band’s 1995 album, and their final album ¡Adios Amigos! [37][41] The band performed over 100 concerts the following year.[37]. She said that we changed her life; she started writing about us in Rock Scene, and then Lenny Kaye would write about us and we started getting more press like The Village Voice. "[79] In July, Paul Nelson of Rolling Stone wrote in 1976 that the album was similar to early rock and roll, and was constructed using rhythm tracks of great intensity. Tracks like Mama's Boy, Wart Hog, Danger Zone and Human Kind are fun and enjoyable little Ramones songs. [110] Screeching Weasel released Ramones (1992), which consisted of the band performing the entire album track list. Stein accepted the revision and it was duly released. "[105] The album also had a great impact on the English punk scene as well, with the bassist for Generation X, Tony James, saying that the album caused English bands to change their style. Havana Affair. Reviewer Gene Sculatti saw it as "a rock 'n' roll reactionary's manifesto" ... "a sharp wedge between the stale ends of a contemporary music scene bloated with graying superstars and overripe for takeover. "[51] The song's lyrics are fictional and refer to two juvenile offenders in Berlin and San Francisco and their possible deaths at the conclusion of the song. After Hit Parader editor Lisa Robinson saw the band at a gig in New York City, she wrote about them in an article and contacted Danny Fields, insisting that he be their manager. [116] In 2006, "Blitzkrieg Bop" was reworked into a children's song on the album Brats on the Beat: Ramones for Kids. [51][57], "I Don't Wanna Go Down to the Basement" is also minimalist, and inspired by horror movies. Not everybody thought so at the time – it was nominated for a Razzie for worst soundtrack song in ’89 – but it fits in perfectly with the band’s best 70’s stuff. And that's the key to all of the Ramones' music -- it's simple rock & roll, played simply, loud, and very, very fast. [24] Liner notes on the back cover fail to acknowledge backing vocalists and additional instrument players. Voice, guitar, bass, drums. Punk. They couldn't afford any more help at that point, so the band had to pitch in unloading the equipment. "[7][13] The label offered to release "You're Gonna Kill That Girl" as a single, but the band declined, insisting on recording an entire album. [4] The band, performing in a style similar to the one used on their debut album, typically performed at clubs in downtown Manhattan, specifically CBGB and Max's Kansas City. The album cover, photographed by Punk magazine's Roberta Bayley, features the four members leaning against a brick wall in New York City. 1996 ist das Jahr der Trauer: die Ramones lösen sich auf. The album's length is 29 minutes and four seconds and it contains 14 tracks. (1964) and subsequently had pictures taken in that style by Danny Fields but Sire was dissatisfied with the results. "[94] It was also included in the 2005 book 1001 Albums You Must Hear Before You Die. Es erschien erstmals am 23. ‘I Don’t Want To Grow Up’ could well be the Ramones’ defining number, albeit a defining track written by someone else—but that never really mattered to the Ramones anyway. Als die Ramones 1976 ihre erste Single „Blitzkrieg Bop“ veröffentlichten, dachten die meisten an einen inhaltlichen Bezug zum 2.Weltkrieg. Ramones peaked at number 111 on Billboard and though commercially unsuccessful, it received positive reviews from critics. Leigh sang backing vocals on "Judy Is a Punk", "I Wanna Be Your Boyfriend", and in the bridge of "Blitzkrieg Bop". Tommy sang backing vocals on "I Don't Wanna Walk Around with You", "Judy Is a Punk", and during the bridge of "Chainsaw". They are all wearing ripped/faded blue jeans and leather jackets, standing upright against the brick wall of a private community garden called Albert's Garden, located in the Bowery neighborhood of New York City between Bowery Street and Second Street. ... conventional considerations of pace and variety are thrown calculatedly to the winds. We'd get two rooms in the hotel, three of us in each. They are often cited as the first true punk rock group. "The song speaks for itself," Dee Dee commented in an interview. Most of the album's tracks are uptempo, with many songs measuring at well over 160 beats per minute. We would enlist the aid of any fan willing to help us load out at the end of the night. "[106] In another interview, James stated that "Everybody went up three gears the day they got that first Ramones album. Die Band, eine Legende. [51] The song served as an inspiration for one of the first punk fanzines, Mark Perry's Sniffin' Glue. Mit seinen schnellen, minimalistischen Musikstücken gilt es als wegweisend für die Entwicklung der Musikrichtung Punkrock. At nearly 180 beats per minute, "Chain Saw" had the fastest tempo of the album's songs and, according to Rombes, is the most "home-made" sounding. "[6] Convinced that the band needed a recording contract, Robinson contacted Danny Fields, former manager of the Stooges, and argued that he needed to manage the band. [105] The Rock and Roll Hall of Fame said of their influence on rock in general: When the [Ramones] hit the street in 1976 with their self-titled first album, the rock scene, in general, had become somewhat bloated and narcissistic. [40] Likewise, these venues in future were headlined by other punk bands like the Clash and Sex Pistols. In 1974 the band played 30 performances, nearly all at the New York-based club CBGB. One of the group's earliest compositions, written at the beginning of 1974, it was the opener on their first demo. [80] In August, Creem dubbed The Ramones as "The most radical album of the past six years", saying: "[it] is so strikingly different, so brazenly out of touch with prevailing modes as to constitute a bold swipe at the status quo." Featuring the songs "Judy Is a Punk" and "I Wanna Be Your Boyfriend", the band used the demo to showcase their style to prospective labels. When he threatened to remove the track from the album, the band put together alternate lyrics: "I'm a shock trooper in a stupor, yes I am. Vervollständigen Sie Ihre Ramones-Sammlung. The album was ranked at number 33 in Rolling Stone's 2012 list of the 500 Greatest Albums of All Time[2] and was certified gold by the Recording Industry Association of America in 2014. Great song, too. The art direction was by Toni Wadler and, according to cartoonist John Holmstrom, the "Meet The Beatles" cover idea came out "horribly". [62] In interviews, Dee Dee described the piece as autobiographical. With a playing time of 2:35, it is the longest piece on the album. [31] "I Wanna Be Your Boyfriend" was released in September 1976 as a 7" single. Höre kostenlos Ramones – Ramones (Blitzkrieg Bop, Beat on the Brat und mehr). 9. [25] Wadler later chose a photo by Roberta Bayley, a photographer for Punk magazine for the cover. Beschreibung. "[99] The album was the start of the Ramones' influence on popular music, with examples being genres such as heavy metal,[100] thrash metal,[101] indie pop,[102] grunge,[103] post-punk,[104] and most notably, punk rock. [36], At the time, Leigh was road manager, stage manager, chauffeur, and head of security. "[64] The half-sung and half-shouted bridge in "53rd and 3rd" are performed by Dee Dee, whose voice is described by author Cyrus Patell as what "breaks the deliberate aural monotony of the song and emphasizes the violence of the lyric. For the cover album by Screeching Weasel, see, "Doing an album in a week and bringing it in for $6,400 was unheard of, especially since it was an album that really changed the world. Johnny replied: "We didn't want people to get confused with who's in the band or who's not. With the three-chord assault of "Blitzkrieg Bop," The Ramones begins at a blinding speed and never once over the course of its 14 songs does it let up. Many later deemed it a highly influential record, and it has since received many accolades, such as the top spot on Spin magazine's list of the "50 Most Essential Punk Records". In comparison to some of the music the album inspired, The Ramones sounds a little tame -- it's a little too clean, and compared to their insanely fast live albums, it even sounds a little slow -- but there's no denying that it still sounds brilliantly fresh and intoxicatingly fun. [47] According to Tommy, the song's original concept was about "kids going to a show and having a good time", but the theme became more Nazi-related after its revision. C. J. Ramone spielte von 1989 bis zur Auflösung der Band am 6. [27][32] "I Wanna Be Your Boyfriend" was also released in the UK, giving the band a presence in the European marketplace. Leon persuaded Sire president Seymour Steinto listen to the band perform, and he later offered the ban… Two different studio versions were recorded. The songs are imaginative reductions of early rock & roll, girl group pop, and surf rock. [15] Sessions began later that month and were completed within a week for $6,400;[16][17] the instruments took three days and the vocal parts were recorded in four days. In 1995, Jeff Tamarkin of The AllMusic Guide to Rock said that the album ignited the punk rock era, writing: "rock's mainstream didn't know what hit it. [53], "I Don't Want to Walk Around with You" consists of two lyric lines and three major chords. "[63] Johnny insisted that the song is about "Dee Dee turning tricks. [56] (Asked about the bathroom at CBGB, Debbie Harry remarked: "I think that song from the Ramones is partially about that: 'I don't wanna go down to the basement ... ' As kids, we never wanted to go down to the basement cos it was so dark and scary. "[50], "Judy Is a Punk" – written around the same time as "Beat on the Brat" — was written by Joey after he walked by Thorny Croft, an apartment building "where all the kids in the neighborhood hung out on the rooftop and drank. The Ramones were an American punk rock band that formed in the New York City neighborhood of Forest Hills, Queens, in 1974. Plus awesome album cover, just saying. [54][66], "I Don't Wanna Walk Around with You" segues into the closing track "Today Your Love, Tomorrow the World", which refers to a Hitler Youth member. None of the songs clock in at any longer than two and half minutes, and most are considerably shorter. April 1976 auf dem Label Sire Records. In 2016, Rhino Records announced[98] the July 29 release of a 40th-anniversary deluxe edition comprising three CDs and one LP, including stereo and mono mixes of the original album; single mixes, outtakes and demos; and a live 1976 performance. Initially, the Ramones wanted an album cover similar to Meet the Beatles! [39] Leigh described the Dingwalls gig as very similar to performances at CBGB. [19], The band applied microphone placement techniques similar to those which many orchestras used. Pop. "[77] Nick Kent favourably commented in the NME: "This record poses a direct threat to any vaguely sensitive woofer and/or tweeter lodged in your hi-fi ...". ist ein Lied von Motörhead. [60][61] At roughly 170 beats per minute, "Loudmouth" and "Havana Affair" proceed at about the same tempo. Rockwell noted: "the effect in the end amounts to an abstraction of rock so pure that other associations get left behind. "Everything I write is autobiographical and written in a very real way, I can't even write. [60], "Havana Affair" segues into "Listen to My Heart" – the first of many Ramones songs to voice an ironic and pessimistic perspective on a failing or failed relationship. Bands were just playing in an MC5 groove until then. [22] The mixing of the production also used more modern techniques such as overdubbing, a technique used by studios to add a supplementary recorded sound to the material. The first was released in February 1976, originally as a 7" split single with "Havana Affair" as its B-side. "[89], The band was inducted into the Rock and Roll Hall of Fame at the 2002 induction ceremony, with the website stating that their first album changed the rock genre from "bloated and narcissistic", to "basic" rock and roll. Judy Is a Punk. Chain Saw (Ramones [Expanded], 1976) “This song is just one of those songs that is perfect. "[81] Critic Joe S. Harrington declared that the album was a huge landmark for music history, proclaiming that "[it] split the history of rock 'n' roll in half." The Ramones is all about speed, hooks, stupidity, and simplicity. [46] Once Dee Dee reviewed the lyrics, the band changed the wording, the name, and partially the theme. [95] In 2010, it was ranked as the greatest debut album of the year in 1976. Most of the time, it was just Danny Fields, me, and the members of the band. Ramones ist das Debütalbum der gleichnamigen US-Punk-Band Ramones. Weighing in at nearly 60 songs, with a hardcover book that includes an excellent history by David Fricke , it has to be said that the set has the heft of history, which is both a blessing and a curse. The song used a 12-string guitar, glockenspiel, and tubular bells in its composition,[53] and was said by author Scott Schinder to be an "unexpected romantic streak". The track was first aired before Phil Taylor and Würzel left the band. [114] "Blitzkrieg Bop", "Havana Affair", "I Wanna Be Your Boyfriend", and "Now I Wanna Sniff Some Glue" were all covered on The Song Ramones the Same. [56] After several songs by the Ramones whose titles began with "I Don't Want to ...", Tommy said that "Now I Want to Sniff Some Glue" is the first positive piece on the album. Joey said that the song "was sort of a call to arms ... for everyone to start their own bands. This song would be me babysitting, laugh out loud. He brought down the vice president and all these people—he's the only hip one in the company. "[38] The band sold out for their first London performance, with an audience of roughly 3,000. [64][67], Ramones was released on April 23, 1976, by Sire Records and received glowing reviews. Fields agreed and convinced Craig Leon to produce Ramones, and the band recorded a demo for prospective record labels. Theunis Bates, a writer for Time, summed the album up with: "Ramones stripped rock back to its basic elements ... lyrics are very simple, boiled-down declarations of teen lust and need. I'm a Nazi Schatze, y'know I fight for the Fatherland." While the moods displayed in the album were often dark,[42] Johnny said that when writing the lyrics they were not "trying to be offensive. The Ramones also began touring to help sell records; these tour dates were mostly based in the United States, though two were booked in Britain. Word was getting out, and people starting coming down. [7], On September 19, 1975, the Ramones recorded a demo at 914 Sound Studios, which was produced by Marty Thau. The bass and guitar gradually rebuild and become "full–force" once all the instruments play together in ensemble. 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